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Serious Austerity from: Popular culture goes back to the Thirties Susan Currell, a senior lecturer in American Studies at Sussex University, added: “I think people want to escape, but also to look at the reality of what’s happening. The bestselling book of the 1930s was Gone With the Wind, and that looked back to a previous period of hardship. Even with escapism, however, there’s a response to austerity. The Wizard of Oz is escapist, but it’s also about returning to how you were.” |
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bracketology in: The Enlightened Bracketologist, edited by Mark Reiter and Richard Sandomir, designed by Nigel Holmes Introduction: “What’s your favorite movie?” [...] If you are like most people, you have a default response that is either The Godfather, The Godfather Part II, Casablanca, Citizen Kane, Gone with the Wind, or the Wizard of Oz. |
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banksy? http://farm1.static.flickr.com/84/244095567_bfae1dfc3e_b.jpg http://farm1.static.flickr.com/135/373935169_cd511fb892_b.jpg |
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Facebook screenshot - Hi Kirsten! October 30th, 2010
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When in Rome http://www.imdb.com/title/tt1185416/movieconnections |
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Picture Books No Longer a Staple for Children By JULIE BOSMAN On a recent discussion board on Urbanbaby.com, a Web site for parents, one commenter asked for recommendations for chapter books to read to a 5-year-old, and was answered with suggestions like the 272-page “Phantom Tollbooth” by Norton Juster and “The Wonderful Wizard of Oz” by L. Frank Baum — books generally considered more appropriate for children 9 to 11. Jen Haller, the vice president and associate publisher of the Penguin Young Readers Group, said that while some children were progressing to chapter books earlier, they were still reading picture books occasionally. “Picture books have a real comfort element to them,” Ms. Haller said. “It’s not like this door closes and they never go back to picture books again.” |
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Trader Joe’s August 31st, 2010 |
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catching up 2 http://newsfeed.time.com/2010/08/12/happy-anniversary-the-wizard-of-oz/ |
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catching up 1 http://usanewsupdate.com/news/google-does-the-wizard-of-oz-logo.html |
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it’s complicated Kristin Chenoweth as April Rhodes in Glee Episode Home 1.16, broadcast 8/31/2010: |
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Betty White SNL: The Wonderful Wizard of Ass rerun from May 9, 2010 also see this |
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THE WHIZ @ Abrons Art Center NICHOLAS LEICHTER DANCE + MONSTAH BLACK Ease on down the road to recession and back from the brink of fantasy in Nicholas Leichter Dance and Monstah Black’s take on The Wiz/ard of Oz for the Obama generation. Featuring choreography by Leichter, and a brand new commissioned score by Black with added musical selections, The Whiz is a full-spectrum original show of song, dance, and theatrical extravaganza. The 75-minute work showcases an array of different dance, performance, and music styles — house, funk, postmodern, drag, hip-hop, contemporary, and psychedelic — that traverse a landscape of hopes, fears, dreams, and home. |
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Twain’s guestbook There’s No Place Like Home |
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google/topeka We didn’t reach this decision lightly; after all, we had a fair amount of brand equity tied up in our old name. But the more we surfed around (the former) Topeka’s municipal website, the more kinship we felt with this fine city at the edge of the Great Plains. In fact, Topeka Google Mayor Bill Bunten expressed it best: “Don’t be fooled. Even Google recognizes that all roads lead to Kansas, not just yellow brick ones.” |
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pun http://www.wizards-of-os.org/archiv/wos_3/sprecher/l_p/armin_medosch.html |
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weather phenomena from: National Geographic, December 2009. “South Georgia rises sheer and stark from the sea”, by Kenneth Brower South Georgia sometimes seems like a time-lapse film of weather – one of those frantic abridgments in which clouds boil across the sky while a stroboscobic flickering of light and shadow passes over the land. You sail into a bay in bright sunshine and air scrubbed clean by the ceaseless circumpolar wind. You really can see forever. The steep headlands are in intense, improbable green. Depth of field is infinite, from the kelp beds in the foreground to the snows of the peaks beyond. A glacier, cradled in its high cirque, sends a skein of streams down the rock wall, icy rivulets glittering so bright they hurt the eyes. Then, moments later, like Dorothy whirled back to Kansas, you look out on that same emerald Oz rendered suddenly in gray halftones. A new front has blown in. The sun is just a dimly glowing patch of cloud across which flurries of snowflakes swirl and eddy, dark patterns against the glow. South Georgia suffers from a meteorological version of bipolar disorder. |
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Graphic Novel 9 weeks on the list: THE WONDERFUL WIZARD OF OZ, by Eric Shanower and Skottie Young. (Marvel Entertainment, $29.99.) Dorothy travels to the land of OZ, graphic novel style. |
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Pillsbury clicks – a lot. |
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As the bubble closes in on her, Doctor Beverly Crusher says: “Click my heels togehter 3 times and I’m back in Kansas – could it be that simple?” |
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psychedelic chick has the slippers
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Now also in Second Life - Credit Dorothy
This image shows a page from Lynne Heller’s comic book “The Adventures of Nar Duell in Second Life.” |
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oh my “Pandas, Lions, and Dragons, oh my!”: How White Adoptive Parents Construct Chineseness |
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from Chicago Jeffrey Baer, chanel 11 pledge drive: the Harlem Globe Trotters are not from Harlem, Rudolph the Red Nosed Reindeer is not from the North Pole, and the Wizard of Oz is not from Kansas – they are all from Chicago. |
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The Economics of Fairy Tales By Edward L. Glaeser, NYT, September 1, 2009 Perhaps the most famous example of economics-in-the-enchantment is “The Wizard of Oz,” which has been interpreted by Henry Littlefield and Hugh Rockoff as an allegory about the monetary policy debates of the populist era. According to this view, the Scarecrow represents the farmer, the Tin Woodsman is the working man, the Cowardly Lion is William Jennings Bryan, the Wicked Witches of the East and West are Grover Cleveland and William McKinley, and the Wizard, associated with green money and ounces of gold (Oz), is Marcus Alonzo Hanna himself. |
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oh my from a Facebook invitation sent by Area Chicago: This evening, as part of AREA Chicago’s ongoing More Money Issues event series, we will continue our conversation with leaders from Mucca Pazza, The Hideout, Backstory Cafe, Epiphany Church, Kuma’s Corner, Quennect 4, and Danny’s Tavern, among others, about the important role that independent business can play in raising consistent resources for activist and non-profit communities. |
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360 Kurt Andersen follows the yellow brick road through America’s favorite story and discovers places in the Land of Oz more wonderful, and weirder, than you ever imagined. |
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cold man |
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click and clack Nova – Car of the Future – Click and Clack go to a geothermal field in Iceland: “where are we? I don’t know, we are not in Kansas anymore.” |
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camp ” I just came back from a trip to Oz”, Meshach Taylor as Hollywood Montrose in “Mannequin: On the Move”, after wearing the mannequin’s necklace for a few moments. |
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home
from today’s NYT |
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Whoa! A big day for the daily reference … http://www.npr.org/templates/story/story.php?storyId=102438008 |
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Fraser Kelsey Grammer in the episode ‘Fortysomething’: “I’m sort of like the Wizard of Oz.” (1994) |
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The White House gave Gordon Brown 25 films on DVD Obama's DVD gift to Brown - it's the thought that counts http://www.guardian.co.uk/film/filmblog/2009/mar/06/obama-dvd-brown |
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Kansas from e-flux: Under the title I’ve a Feeling We’re Not in Kansas Anymore, the Contemporary Art Museum of Barcelona not only presents, for the first time, a large array of Thomas Bayrle’s works, but also highlights the artist’s ability to take us to a different place in his work, a place far from what has become familiar, where we can consider how humans and the technology they invent can create or destroy the meaning of things. This exhibition offers an overall vision of the praxis of German artist Thomas Bayrle (Berlin, 1937) from the end of the 1960s until now. The beginnings of his work were conceived in a key historical, political and social moment in the recent history of Europe, at the end of the ‘60s. This was a moment defined by the need to create a new conception of the cultural identity and aesthetic sensibility of a country in a state of upheaval, Germany. Frankfurt, the city Thomas Bayrle was living and working in, became one of the most important centres of protest. The economic miracle following the Second World War had reached its end, and the need to completely revise the ideological bases and structure of existing hierarchies had become urgent for a generation that felt the need to write history in other terms, and to create cultural alliances different from those of preceding generations. The atmosphere generated by the American presence in Germany, the crisis in the Middle East an d the war in Vietnam undoubtedly marked the starting point of an œuvre that has remained attentive to the possibility that change can be produced in the world we know, and that from this, another new and different world might emerge. This exhibition provides a thematic and chronological tour through his work as a whole, from the photographic collages of the 1950s; the ‘machines’, as the artist calls them (oil paintings that turn out to be mechanical toys in which the figures can be activated by the spectator); to his 16 mm film collages and the digital animation work created in the nineties. A vision of the whole leads to another reading of the relationship between popular and high culture in a moment and a context – Europe – in which modernity sees the possibility of reaching the general public via the culture industry. ... |
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Scarecrow I’m very excited to have been alerted by Jennifer Geigel Mikulay about this Super Bowl ad |
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The Ascent of Money by Niall Ferguson |
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Wicked Witches No Time for Poetry By FRANK RICH PRESIDENT Obama did not offer his patented poetry in his Inaugural Address. He did not add to his cache of quotations in Bartlett’s. He did not recreate J.F.K.’s inaugural, or Lincoln’s second, or F.D.R.’s first. The great orator was mainly at his best when taking shots at Bush and Cheney, who, in black hat and wheelchair, looked like the misbegotten spawn of the evil Mr. Potter in “It’s a Wonderful Life” and the Wicked Witch of the West. |
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Good Witch From “Mirror Reflections on Time’s Dualities” by By MANOHLA DARGIS |
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Madoff “He had a secret formula, kind of like no one could look. Like the man behind the curtain.” |
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peep NYT, This Economy does not compute, By MARK BUCHANAN, October 1, 2008 |
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dropping a house “There’s no place like home. We’re going to drop a house on some really bad politicians.” Description of Mardi Gras Float, American Experience: New Orleans. |
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the three Rothenberg, Ryman, and Johns? Oh my! |
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PGA Players Championship It’s a very windy day at the golf course. “Murph, we are not in Kansas anymore.”“Well, thank you, Dottie.” |
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seen at the LAX Hertz auto rental …
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tinman |
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American Idol Jason Castro sings a VERY nice version of Israel Kamakawiwo’ole’s “Somewhere over the Rainbow”. |
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Surrender Already, Dorothy .... Hillary sunnily riposted that she likes long movies. Her favorite as a girl was “The Wizard of Oz,” so surely she spots the “Surrender Dorothy” sign in the sky and the bad portent of the ladies of “The View” burbling to Obama about how sexy he is ….. |
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Castro http://www.flowgo.com/funny/13147_ding-dong-castros-dead.html |
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the real ruby slippers ...tonight on Oprah, “with their own bodyguard, in a box backstage”. |
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Sunday afternoon at three ..... just heard an ad on NPR for a show about the Wizard of Oz (“a source of metaphors for everything”) ... Sunday, 12/9/07, 3pm |
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How Hollywood Saved God Hanna Rosin, “How Hollywood Saved God”, The Atlantic, December 2007: “The series builds up to a cataclysmic war between Heaven and Earth, on the model of Paradise Lost (the source of the phrase his dark materials). But in Pullman’s version, God is revealed to be a Charlatan more pitiable even than OZ. His death scene is memorable only for its lack of drama and dignity: ...” |
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NYT Halloween http://www.nytimes.com/slideshow/2007/11/02/nyregion/20071102_WEEKINPICTURES_SLIDESHOW_8.html |
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Ova NYT. From: Your Gamete, Myself, by Peggy Orenstein: Becky, who asked me to use a nickname, sat down and began scrolling through pictures on the Web site of Ova the Rainbow, one of the (regrettably named) agency sites she browsed last fall during her search for an egg donor. “When I first started doing this it was really emotional for me,” she said. “I kept thinking about that kids’ book, ‘Are You My Mother?’ I’m looking through these pictures of young women and feeling like: ‘Oh, my God! Is this the mother of my future child? Is this the mother of my future child?’ ” |
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democrats WTTW11, Chicago Tonight; Phil Ponce responds to Bill Geist, who mentioned that his father had warned him that there were democrats in Chicago :”Lions and tigers and democrats, oh my!” |
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Sarah Dreher, too Sarah Dreher, “Other World”, 1993, p. 174; “The air suddenly turned cooler. A breeze came up. In the distance they could hear a rumbling sound, like boxcars rolling slowly along a track. Stoner shivered. “I know it’s irrelevant, but I really wish I knew where we were. I thought we’d just kind of hover around inside the tunnel or something. Outside, at the very least. I feel like a character in The Wizard of Oz.” “Oh, I’m so sorry”, Aunt Hermione said. “I know you hated that movie.” |
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RAPE IN THE MEDIA |
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Rove the Wizard New York Times. Editorial. The Fantasy Behind the Scandal. ...”The only solution is to get these issues out into the open. It is good that Attorney General Alberto Gonzales will finally testify in the Senate this week. But Mr. Rove, who seems to be at the heart of this affair, should also be required to testify under oath — and in public. Even the Wizard of Oz eventually came out from behind the curtain.” |
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Glenda on SNL Kristen: “Look how excited I am. I get to play my dream role, Glenda the Good Witch” |
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Pauline Oliveros, too! Software for People. Smith Publications. 1984 Rags and Patches. page 112: ” Said the March Hare to Alice, “Take care of the sense and the sounds will take care of themselves.” That infernal machine is still chasing me all over and out of the Land of Oz. ...” page 113: “I adore stuffing,” said the Patchwork Girl. “Well, as for that, my head is stuffed with pumpkin seeds,” declared Jack. I use them for brains, and when they are fresh, I am intellectual. ...” page 117: ” Because! Alice! Where are you? Well – Alice is still among the missing but I did find Charlotte Moorman at Mills College in Oakland, grandly doing her grand thing. Lewis Carroll would have loved her! and Frank Baum would surely have found Charlotte in Oz fingering her chameleon cello.” |
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B+W to color WTTW, Chicago Tonight: Phil Ponce talks to several food critics about becoming a food critic by slowly being exposed to more dishes and restaurants: “...like the Wizard of Oz, going from black and white to color.” |
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YBR (yellow brick road) At last, the yellow brick road becomes accessible; milwaukee journal sentinel; by Laurel Walker: You know the story, but here it is – “The Wizard of Oz Unplugged” – with a powerful new twist and an intriguing cast of characters. There’s Tariq, the tin man, who sits in the wheelchair and wants to walk again. There’s Lionel, the blind man, who wants to see. And there’s Scarecrow, the brain-injured, who wants his foggy memory repaired. The actors who take these characters along the Waukesha Civic Theatre’s version of a yellow brick road over the next week are new to the stage. ... read more |
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Rove NBC Nightly News; unidentified speaker: “Karl Rove is the evil Wizard of Oz for democrats on the hill.” |
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MBC (Man Behind the Curtain) NBC; Chris Matthews Show: Chris Matthews: “I don’t think Cheney enjoys the role of the man behind the curtain.” |
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weather NPR; ... Linda clutches her Dorothy doll (according to Patrick) clutches her Glenda-the-good-witch doll (according to Scott) after a Tornado destroyed her home in Enterprise, Alabama. She collects Wizard of Oz memorabilia … |
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more than one Leading Creatively: The Art of Making Sense |
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Carl Hiaasen, too In “Lucky You”, page 228: |
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tinman Char wears Tinman on a commercial shoot. |
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Slippers at the Smithsonian The National Museum of American History collects and preserves more than 3 million artifacts. We take care of everything from the original Star-Spangled Banner and Abraham Lincoln’s top hat to Dizzy Gillespie’s angled trumpet and Dorothy’s ruby slippers from The Wizard of Oz. Our collections form a vast and fascinating mosaic of American life. |
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power The Reader, Section 1, p. 9, Our Town: Elections, by Mick Dumke: The Men Behind the Curtain – Most voters have never heard their names, but these two well-connected guys decide who’s allowed to run for office in Chicago. The two current members of the Chicago Board of Election Commissioners, Richard Cowen and Langdon Neal, .... |
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healthy food Check Please, WTTW: the owner of the raw food restaurant Karyn’s is interviewed: “... you may think lettuce, tomato and cucumbers, oh my, you can’t live on that …” |
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to The White House NPR, Sunday Morning Edition; as part of a sound collage at the beginning of the show Senator Sam Brownback, R-Kansas, is heard: “These are the first steps on the Yellow Brick Road to the White House.” |
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at Intelligentsia in the Monadnock Building, in Chicago A customer is describing a roadtrip in Kenia: ” ... and we were driving lions, and tigers, and bears, oh my …” |
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Letters from Iwo Jima Clint Eastwood talks to Terri Gross about his new film. When asked about the washed out, blue-gray colors he responds: “I didn’t want it in Technicolor, like the Wizard of Oz.” |
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a CD of the soundtrack … ... is for sale in the giftshop of K21 in Düsseldorf. |
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Glenda WWME TV, “Bewitched”, Charlie Leech, a detective, to Samantha: “I’ve got you figured more like Glenda, you know, the good witch from the Wizard of Oz.” |
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Curtain Vanity Fair, December 2006, by Todd S. Purdum: “MAN BEHIND THE CURTAIN Rove’s hopes of a long-term “rolling re-alignment” around the Republican Party may founder on his very methods.” |
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Tinman WGN. ‘Who Wants to be a Millionaire’. |
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Tesla in Oz From Make Magazine, Vol 8, 2006, “Toys and Games”, Hands on Egghead on Nicola Tesla: “There may not be adequate words to describe the extreme events that took place within Tesla’s skull. The shattering flashes of light that paralyzed him were likely migraines. The childish bedtime trips into imaginary, Oz-like cities, where he befriended people and flew through the air, were lucid dreams.” |
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One last living Munchkin NYT; By CHARLIE LeDUFF: American Album; Step Right Up, Ladies and Gents, to See the End of an Oddity: Poobah’s real name is Pete Terhurne. “Poobah comes all the way from Beverly Hills.” Poobah grew up in Minnesota, met Mr. Hall at a carnival there in the mid-’50s. “Poobah is the last living munchkin from ‘The Wizard of Oz.’ ” Poobah first saw the movie as a television rerun. “He is the star of 84 Hollywood pictures, 114 television shows and numerous Broadway musicals.” Poobah couldn’t sing to save his life. But Poobah says he doesn’t mind. It’s a living. He says he loves Mr. Hall. And it beats retirement. “Now, watch as Poobah eats the fire.” Poobah does so for the umpteenth time today. |
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Four last living Munchkins WGN teaser for The News: ... last week Robin and Pat took on the Munchkins from the Wizard of Oz , and this week … |
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book title Rajiv Chandrasekaran; Imperial Life in the Emerald City: Inside Iraq’s Green Zone. finalist, National Book Award. |
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Kansas elections Dean Reynolds, ABC, reporting from Kansas, adressing the unpredictability of the election:”It’s almost enough for a visitor to think ‘gee, we’re not in Kansas anymore.’ ” |
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because… NBC: ad for “Medium”: “she’s a supermom, she’s supernatural … and we know this because? ... because of the wonderful things she does!” |
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Announcement Event date: Thursday Oct 26th, 2006 Gallery Talk Dzine: Somewhere Over the Rainbow is on view in the Michigan Avenue |
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Good Girls Go Bad NYT, STEPHANIE ROSENBLOOM: ... Donning one of the many girlish costumes that sexualize classic characters from books, including “Alice’s Adventures in Wonderland,” “Cinderella” and “The Wizard of Oz,” can be campy, female sartorial humor, said Professor Gill. It can be a way to embrace the fictional characters women loved as children while simultaneously taking a swipe at them, she said. “The humor gives you a sense of power and confidence that just being sexy doesn’t,” she said. Dr. Tolman added that it is possible some women are using Halloween as a “safe space,” a time to play with sexuality. By taking it over the top, she said, they “make fun of this bill of goods that’s being sold to them.” “Hey, if we can claim Halloween as a safe space to question these images being sold to us, I think that’s a great idea,” Dr. Tolman said. But it may be only an idea. Or, more fittingly in this case, a fantasy. ... |
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most sincerely dead The first sentence in “Flattened Fauna – a Field Guide to Common Animals of Roads, Streets, and Highways”, by Roger M. Knutson reads: “This is a book about animals that, like the Wicked Witch of the East in The Wizard of Oz, are not just merely dead, but really most sincerely dead. These are animals in which even flies have lost interest.” |
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‘Through the Children’s Gate’ from NYT, First Chapter, By ADAM GOPNIK: ... “I had arrived in Oz only to think, Well, you don’t live in Oz, do you?” |
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oh my NPR, 2:55 pm, “The World”, Geo Quiz, describing the Blair Drummond Safari Park:”There are lions and tigers and bears, but so far no flying monkeys.” |
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The Wizard NBC news, 6:03 pm, “... the man behind the curtain … is indicted on corruption charges …. Antoin “Tony” Rezko …. |
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Tinman Overheard by Patrick on set of a TV commercial in downtown Los Angeles: “I mean I suppose I could go as the Tinman, but that would just be boring.” |
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“Things Fall Apart” Paul Krugman, NY Times “So the right-wing coalition is showing signs of coming apart. It seems that we’re not in Kansas anymore. In fact, Kansas itself doesn’t seem to be in Kansas anymore.” |
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Follow the Red Brick Road … .. is the title of an accepted session proposal for the 2007 College Art Association Conference. |
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Not In Kansas This Old House banter. |
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Oz the dog, and a member of the same household
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Kansas into Oz from CODEPINK: .... CODEPINK who responded to our alert and supported the transformation of dirt into Paradise, or as Cindy said, Kansas into Oz. |
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prize on NPR’s, “What do you know with Michael Feldman”, a rerun, the commemorative pop-up book “The Wonderful Wizard of Oz” is offered as a prize for the What Do You Know Quiz. |
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purse sighting |
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Tinman August 12, 2006 |
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There’s No Place like Home August 12, 06 |
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yellow brick road from last Tuesday: Patrick was in San Juan, PR. His assistant, Yasidis, told him that the blue bricks of Old San Juan “look like the yellow brick road at night when the street lights are on.” |
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Untrampled Vineyard As told to Bethany Lyttle |
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Family Fare By LAUREL GRAEBER |
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The Emerald City, in All Its Colors By GRACE GLUECK That’s reason enough to honor his sesquicentennial. So the Eric Carle Museum of Picture Book Art here has mounted “The Wonderful Art of Oz,” a wonderful show tracking Oz-inspired artists, from W. W. Denslow, who drew the brilliant illustrations for the first edition, to more recent interpreters, including Maurice Sendak, Andy Warhol, Kiki Smith and Barry Moser. ...” |
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Oz was outside the door BILL MOYERS ON FAITH & REASON |
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“Electronic Superhighway” WTTW, 6:48 PM: Kansas gets the ‘Wizard of Oz’ in Nam June Paik’s artwork “Electronic Superhighway” at the Smithsonian American Art Museum. |
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Somewhere Over The Rainbow On NBC’s “America’s Got Talent”, contestant #4 of the “crazy caliber talent” played “Somewhere Over The Rainbow” on the glass harmonium (a glass instrument invented by Thomas Jefferson). |
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